Posts Tagged ‘Field Music’

2012 Preview: The Return of the Indomitable Field Music and Then Some

December 21, 2011

Memphis Industries

After years of documenting 365-day periods of music releases and listening to anything I can get my hands on, it is starting to become apparent when a good music year is on the horizon. For instance, 2011 started very mildly, and it took me a few months to find a handful of albums to which I could wholeheartedly commit. Twenty-ten wasn’t like that at all, though – right off the bat in January, there were three or four records I adored, a couple of which ended up making my top 10 for that year. As of now, 2012 is looking even more exciting than that.

Almost a month ago, the new Field Music record, Plumb, leaked to the internet, and I nearly shit myself. Not to gross anyone out, but I really love this band and can’t help but revert back to 2-month-old excitation whenever they release something. (more…)

The Top 25 Songs of 2010

December 31, 2010

25. Weezer “All My Friends Are Insects” (part of bonus material from Hurley)

People are consistently disappointed by Weezer, so I was really hoping Hurley would be at least good enough to shut people up for awhile (myself included). It wasn’t, but I was happy to see it was at least better than the band’s worst album to date, the offensively bad Raditude. With that said, my favorite Weezer song of the year was not featured on Hurley, but was an outtake featured on the expanded edition. (more…)

The Top 25 Albums of 2010

December 30, 2010

Matador Records

25. The New PornographersTogether
The New Porns have always brought some good things to the table, but it can be difficult for me to get through a whole album. Together has made that task a bit less difficult, as it may be the best album from this band yet.  It’s definitely the most group-oriented of their efforts, as the title would suggest – four lead singers span the albums songs, and the contributions from Destroyer’s Dan Bejar are some of his best to date.  (more…)

Listening Log: March 2nd 2010

March 4, 2010

Reprise 1970

3/2/10

Album of the Day: Neil Young After the Gold Rush

My writing style is such that I will spontaneously jot down whatever is in my mind at any given time, so I can understand how readers may have heard the phrase “one of my all-time favorite albums” quite a bit from me, in regards to several albums. But, I want my comments about “After the Gold Rush” to stand out significantly, so I will say this—it is EASILY on my list of top 5 albums ever made. On my I-Pod, I look at my individual ratings for the songs on this record, and I see eleven fives in a row. I NEVER see that! There is absolutely no filler here—even the minute-long “’Til the Morning Comes”, which acts as a sort of segue between sides A and B, is a perfect song. Aside from the overall perfection of the songwriting, there is just an amazing feel to this album that fills the room every time it comes on. It’s especially great at work—if the day is sucking horribly and I’m hating life and this record comes on, all of a sudden, the customers become people again. That first line of the opener “Tell Me Why”, “Sailing hardships through broken harbors”, sums up everyone’s day every day. It’s LIFE. “After the Gold Rush” is a very human record which covers pretty much the range of all possible human emotion, all in under 35 minutes and in Neil Young’s shaky-voiced glory. (more…)

Listening Log: Wednesday, February 17th 2010

February 18, 2010

4AD 1993

Album of the Day: Red House Painters Red House Painters (Rollercoaster)

I didn’t hear this album until the very end of the day, and right now as I am about to go to bed, I am still listening to it. Red House Painters are perfect music for any night, or for foggy days, or for driving around at dusk or something. It’s usually pretty depressing stuff, but even listening to it now, I can’t say I am particularly sad or anything. I mean, like anyone else, I have worries in my life, but I really just enjoy this record for its elegant and spacious songwriting and, of course, Mark Kozelek’s iconic voice. (more…)

The Top 100 Albums of the Decade (part 5)

December 2, 2009

Bjork—Selmasongs
One Little Indian, 2000

Like the film Dancer in the Dark did for the musical, “In the Musicals” reinvents the musical number. It has all the rising, uplifting trajectory of the best Rogers & Hammerstein tunes without being cheesy and overbearing like those were. (more…)


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